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1. Friar Laurence        Árni Pétur Guđjónsson
2. Mercutio        Björn Hlynur Haraldsson
3. Paris        Erlendur Eiríksson
4. Romeo        Gísli Örn Garđarsson
5. Capulet        Ingvar E. Sigurđsson
6. Nurse to Juliet        Ólafur Darri Ólafsson
7. Tybalt and Jesus        Ólafur Egill Egilsson
8. Peter        Víkingur Kristjánsson
9. Lady Capulet and Benvolio        Margrét Vilhjálmsdóttir
10. Juliet         Nína Dögg Filippusdóttir
11. Prince        Tómas Aron Guđmundsson
12. Member of Tybalts gang and Plant    Jóhannes Níels Sigurđsson
13. Member of Tybalts gang        Kristján Ársćlsson
Vesturport´s production of Romeo & Juliet is a circus-oriented version of Shakespeare’s classic. Shakespeare’s original text is performed, although there is freedom of interaction with the audience, creating an improvisational dialogue. The play is furthermore filled with music and contemporary love songs, giving it a Moulin Rouge inspired atmosphere.

The aim of Romeo & Juliet was to experiment with acrobatic techniques in theatre and explore ways to use them as a storytelling tool for dramatic purposes. We discovered early that the physical tension of acrobatics and the methods used in the performance did not draw attention from the dramatic structure of the play, but quite the opposite. The use of circus skills in the production emphasizes the dramatic tension of Romeo & Juliet and brings to focus the living organic qualities of the tragic structure.

Director
Associate Director
Co-director for the original Icelandic version
Designer
Choreographer
Musical Director
Lighting Designer

Production
Stage Manager
Sound and light operator
Gísli Örn Garđarsson
Rufus Norris
Agnar Jón Egilsson
Börkur Jónsson
Katrin Hall
Karl Olgeirsson
Paul Russel (Young Vic)
Halldór Örn Óskarsson (Iceland)
Rakel Garđarsdóđttir
Hlynur Kristjánsson
Guđrún Lilja Magnúsdóttir

Romeo & Juliet

Vesturport´s production of Romeo & Juliet is a circus-oriented version of Shakespeare’s classic. Shakespeare’s original text is performed, although there is freedom of interaction with the audience, creating an improvisational dialogue. The play is furthermore filled with music and contemporary love songs, giving it a Moulin Rouge inspired atmosphere.

The aim of Romeo & Juliet was to experiment with acrobatic techniques in theatre and explore ways to use them as a storytelling tool for dramatic purposes. We discovered early that the physical tension of acrobatics and the methods used in the performance did not draw attention from the dramatic structure of the play, but quite the opposite. The use of circus skills in the production emphasizes the dramatic tension of Romeo & Juliet and brings to focus the living organic qualities of the tragic structure.

Director
Associate Director
Co-director for the original Icelandic version
Designer
Choreographer
Musical Director
Lighting Designer

Production
Stage Manager
Sound and light operator
Gísli Örn Garđarsson
Rufus Norris
Agnar Jón Egilsson
Börkur Jónsson
Katrin Hall
Karl Olgeirsson
Paul Russel (Young Vic)
Halldór Örn Óskarsson (Iceland)
Rakel Garđarsdóđttir
Hlynur Kristjánsson
Guđrún Lilja Magnúsdóttir


Cast Photos
Contact: rakel@artbox.is Tel: +354 8607062 Fax: +354 5111513